There were a number of firsts with the painting of Hillary Clinton's portrait. The first African American portrait artist Simmie Knox did a tandem of her and President's Clinton's official oil portraits. She is wearing a pantsuit with her hand touching her best selling book with an example of historic White House China on the table. The painting hangs on the Ground floor in the Hall. Portraits courtesy of the White House Collection.
hite House the painted eyes of presidents and first ladies watch the new occupants as they settle into the presidential manor. President Nixon used to speak with the portraits and keep himself in the wilting humidity of a Washington summer closeted inthe Lincoln Sitting Room with the fireplace crackling. Nancy Reagan was very particular about the portraits and where certain first ladies would grace the walls. Her portrait is a stunning red visage that matches perfectly the red carpets on the Ground Floor and Cross Hall - it was not an accident. Part of the tradition in modern times is to select a portrait artist and the result is part of a White House Ceremony unveiling the art. Usually, the second term in office is when the president and first lady start thinking about their formal portraits and start to select or audition painters of the first brush. The styles change over the years, with portraits of the first First Couples being part of living in the early days of the republic. (President Obama & Nancy Reagan on Ground Floor in the hallway pass her portrait on the way into Diplomatic Reception Room as he signs The Ronald Reagan Centennial Commission honoring his memory.)
Teacher for the Deaf & crochet expert Grace Anna Goodhue Coolidge 1923 - 1929 as First Lady Teetotaler Lucy Ware Webb Hayes 1877 - 1881 as First Lady Daughter-in-law Angelica Singleton Van Buren acted as hostess/First Lady 1839-1841 as Hannah Van Buren had passed away. Permanently displayed in the Red Room. Louisa Catherine Johnson Adams (1825-1829) is the daughter-in-law of Abigail Adams is the first lady who advocated for females and their rights.
Wearing French empire and showing shapely cleavage, the Dolley Payne Todd Madison portrait (1804) in oil by her friend Gilbert Stuart is so well known it graces alongside presidential portraits. She was the official hostess for Thomas Jefferson when the portrait appeared and later she became first lady With 44 presidents and 46 first ladies in total, (some presidents were widowers and remarried or bachelors or married for the first time while in office), the wall space in the 55,000 square foot Executive Mansion has prime space and lesser space. The current president and first lady select who goes where. One prime piece of real estate is just beneath and around the Grand Staircase just off the foyer or anything on the state floor and mostly, it is the presidents in the corridors with special first ladies or hostesses of presidents inside the colored salons off the Cross Hall.Tourists see the Vermeil Room on the ground floor where its incandescent light makes Jackie Kennedy's acclaimed portrait seems as if its always hung there in its rightful prominent place. Martha Dandridge Custis Washington has the most prominent space along the same wall and same height of her husbands Gilbert Stuart painting of her husband George in the White House's largest formal space, the East Room.
Elizabeth Kortright Monroe's (tenure 1817 -1825 though her daughter Eliza stepped in most of the time as hostess) oil portrait by John Vanderlyn retains a prominent place near the South Portico just before the entrance to the Green Room. Her ermine shawl is perfect for the French Empire design of the Blue Room she and her husband worked so hard to furnish.The artists themselves are varied with some interesting stoeirs. Anders Zorn painted the youngest first Lady ever, Frances Folsom Cleveland. Howard Chandler Christy painted Grace Coolige with her collie, Rob Roy, beside her and the South Portico of the White House over her shoulder. Boldly sporting a nineteenth century pompadour, Henry Inman painted Angelica Van Buren who was related to Dolley Madison by marriage. Inmans work populates the vast White House Art Collection with many paintings of The First People. Modern twists occurred with Eleanor Roosevelt (1933 - 1945) the hands never still and Mamie Eisenhower (1953-1961) in her inaugural ball gown. Florence King Harding has a memorable coif immortalized in oils by Philip Alexius deLaslode lombos in 1921.
The chair pose is almost as popular as the ones with the White House as a backdrop.
man seems to be the modern start for the seated pose. Above, wearing the famed triple strand is Barbara Pierce Bush (1989 - 1993) from 1992 painted in oils by Herbert E. Abrams. Elizabeth (Betty) Bloomer Ford painted by Felix De Cossio. It took awhile post presidency for the portrait of Rosalynn Smith Carter (1977-1981). In 1984, the softly hued oil portrait was completed by George Agusta. Rosalynn Carter has nothing on Martha Washington (1788-1796) whose official portrait came from Eliphalet F. Andrews who used a live model and dress from the nineteenth century when she was definitely a person of the eighteenth. The portrait was finally done a hundred years after the founding of America in 1878.
A new twist with oval portraits and using two Ediths. Edith Carrow Roosevelt (1901 - 1909) used a different frame, the south White House gardens while sitting on a bench. Edith Bolling Galt Wilson (1913 -1821) was the second first lady of the Wilson Administration who approved who and what the president saw during his illness and recovery.
First lady oil paintings are fascinating with the variety of styles and choices for what they want to project for the American People in the centuries to come. These portraits are waves from the past that reflect on style, culture, and the individual - the American way!
These three are My favorites
Helen (Nellie) Herron Taft (1909 - 1913) had the idea of the South Portico First in 1910 painted by Karl Bror Albert Kronstrand
(Jacqueline Bouvier Kennedy (1961 -1963) Photo courtesy of Robin at Big Red Kitchen) Aaron Shikler completed Jackie's in 1970 and indeed, did the famous oil painting of President Kennedy that has pride of place just outside the State Dining Room. Seventeen years later he created new magic with Nancy Davis Reagan's (1981 - 1989) oil portrait
Which are your favorites?
Note: An official photograph is also issued with the advent of technology. Mrs. Obama in oil ought to be as spectacular as the full official photo.
Mamie Eisenhower had no shame in her game going on vacation in the dead of winter. Back in the 1950's longer plane rides made for longer presidential vacations. For 10 days in February 1958, Mamie Eisenhower hung out in Georgia with her husband. On the 23rd of February, the president went on his private plane - Columbine III with the usual assortment of staff and announced the next stop was Phoenix, Arizona where he would lunch with friends at Elizabeth Arden's Maine Chance Farm. The first lady was staying on to soak up the sun in Arizona, and he would be doing a power lunch with pals and turning right around to go back to DC. Even back then, lots of screaming between the press secretary and the press about who was paying for that,.. I was more interested that the works at the Arden beauty farm was $400 a week. Sheesh! In a top flight spa you can do that before you put on the robe. (Mamie sampling her birthday cake - she really was a popular first lady. Photo courtesy AM New York)
Now Jackie Kennedy picked exotic places, but this has to be a 1960's thing that had no etiquette precedent in the First Lady Rule Book. What do you wear to ride a camel with your sister in Pakistan? Date line: Karachi, March 25, 1962 the answer is Kitten heels, pearls, hair immaculate that dares the wind, and a designer dress as you sit sidesaddle above a bunch of men leading your walking, humped spit creator. Jackie's vacation trip was at the suggestion of the Ambassador to India, John Kenneth Galbraith.
