There were a number of firsts with the painting of Hillary Clinton's portrait. The first African American portrait artist Simmie Knox did a tandem of her and President's Clinton's official oil portraits. She is wearing a pantsuit with her hand touching her best selling book with an example of historic White House China on the table. The painting hangs on the Ground floor in the Hall. Portraits courtesy of the White House Collection.
the Lincoln Sitting Room with the fireplace crackling. Nancy Reagan was very particular about the portraits and where certain first ladies would grace the walls. Her portrait is a stunning red visage that matches perfectly the red carpets on the Ground Floor and Cross Hall - it was not an accident. Part of the tradition in modern times is to select a portrait artist and the result is part of a White House Ceremony unveiling the art. Usually, the second term in office is when the president and first lady start thinking about their formal portraits and start to select or audition painters of the first brush. The styles change over the years, with portraits of the first First Couples being part of living in the early days of the republic. (President Obama & Nancy Reagan on Ground Floor in the hallway pass her portrait on the way into Diplomatic Reception Room as he signs The Ronald Reagan Centennial Commission honoring his memory.)
Wearing French empire and showing shapely cleavage, the Dolley Payne Todd Madison portrait (1804) in oil by her friend Gilbert Stuart is so well known it graces alongside presidential portraits. She was the official hostess for Thomas Jefferson when the portrait appeared and later she became first lady With 44 presidents and 46 first ladies in total, (some presidents were widowers and remarried or bachelors or married for the first time while in office), the wall space in the 55,000 square foot Executive Mansion has prime space and lesser space. The current president and first lady select who goes where. One prime piece of real estate is just beneath and around the Grand Staircase just off the foyer or anything on the state floor and mostly, it is the presidents in the corridors with special first ladies or hostesses of presidents inside the colored salons off the Cross Hall.
Tourists see the Vermeil Room on the ground floor where its incandescent light makes Jackie Kennedy's acclaimed portrait seems as if its always hung there in its rightful prominent place. Martha Dandridge Custis Washington has the most prominent space along the same wall and same height of her husbands Gilbert Stuart painting of her husband George in the White House's largest formal space, the East Room.
Elizabeth Kortright Monroe's (tenure 1817 -1825 though her daughter Eliza stepped in most of the time as hostess) oil portrait by John Vanderlyn retains a prominent place near the South Portico just before the entrance to the Green Room. Her ermine shawl is perfect for the French Empire design of the Blue Room she and her husband worked so hard to furnish.
The artists themselves are varied with some interesting stoeirs. Anders Zorn painted the youngest first Lady ever, Frances Folsom Cleveland. Howard Chandler Christy painted Grace Coolige with her collie, Rob Roy, beside her and the South Portico of the White House over her shoulder. Boldly sporting a nineteenth century pompadour, Henry Inman painted Angelica Van Buren who was related to Dolley Madison by marriage. Inmans work populates the vast White House Art Collection with many paintings of The First People. Modern twists occurred with Eleanor Roosevelt (1933 - 1945) the hands never still and Mamie Eisenhower (1953-1961) in her inaugural ball gown. Florence King Harding has a memorable coif immortalized in oils by Philip Alexius deLaslode lombos in 1921.
A new twist with oval portraits and using two Ediths. Edith Carrow Roosevelt (1901 - 1909) used a different frame, the south White House gardens while sitting on a bench. Edith Bolling Galt Wilson (1913 -1821) was the second first lady of the Wilson Administration who approved who and what the president saw during his illness and recovery.
First lady oil paintings are fascinating with the variety of styles and choices for what they want to project for the American People in the centuries to come. These portraits are waves from the past that reflect on style, culture, and the individual - the American way!
Helen (Nellie) Herron Taft (1909 - 1913) had the idea of the South Portico First in 1910 painted by Karl Bror Albert Kronstrand
Note: An official photograph is also issued with the advent of technology. Mrs. Obama in oil ought to be as spectacular as the full official photo.